Vincent” was a rare, unapologetic feel-good movie within a roster of films that seemed singularly attuned to the anxieties - domestic and global, personal and political - of our era. Vincent,” a formulaic but winning seriocomedy about a kid and a curmudgeon, written and directed by Ted Melfi with crustily endearing contours perfectly suited to Murray’s gonzo charms. Profile premieres, declaring Sept. 5 “Bill Murray Day,” in honor of the star of “St. ![]() courtroom drama “The Judge,” TIFF enthusiastically thumped the tub for one of its highest. After a ho-hum debut of the Robert Downey Jr. (And some, including “Birdman,” “Gone Girl” and “Inherent Vice,” didn’t play at all.)īut filmgoers didn’t go wanting over the weekend. The new policy meant that some of the season’s most highly anticipated titles - including “Wild,” “The Imitation Game” and Jon Stewart’s “Rosewater” - didn’t play here until after the first Sunday. ![]() This year, though, TIFF organizers issued a new rule: If a film had already played in Telluride by the time it got to Canada, it would not be shown during the first four days of the festival, thereby reserving the first weekend for genuine world premieres, giving Toronto festival-goers the frisson of seeing something brand spanking new and the festival valuable ink in trade publications and Web sites. Because Toronto follows closely behind festivals in Venice and Telluride, Colo., it has historically been known as a convenient place to catch up with movies that already premiered at those festivals, as well as at Cannes and Sundance. TORONTO - In recent years, the Toronto International Film Festival has become reliable one-stop shopping for critics, distributors and movie fans eager to sample the year’s best films, most of which would go on to win Oscars: Toronto, after all, is where a little Iraq war movie called “ The Hurt Locker” got its start so did “ The Wrestler,” “Black Swan,” “ Gravity” and “ 12 Years a Slave.”Įxcellence was just as much on display in the 39th edition of TIFF, which ends Sunday, even though inter-festival politics was as much a subject for discussion as the films.
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